Designers using technology as wearable fashion

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Innovation and designers have attempted to create wearable technology (wearables) items that individuals can without much of a stretch to grasp and adjust into their lives. Technologists and engineers have been at the cutting edge of wearable development. In result, numerous wearables are absent of the attention to aesthetic details that make an item increasingly alluring to a client. Details such as structure, line, and surface are essential standards in a design collection. Fashion designers and industry professionals can fill the hole in the structure procedure and help create products that are accessible and adaptable by providing insight into a customer’s identity and culture. The fashion industry depends upon comprehensive knowledge, gathered by trend analysts, of their target consumers.

This data portrays a view of a consumer group that is influenced by social, political and creative movements and enables a fashion designer to connect with a customer’s identity and lifestyle. The rapid growth of technology has led to understanding of human computer interaction. Consumer electronics have metamorphosed from simple tools like, objects that we interact with every day to augmentations of our users and lives. They affect how individuals interact and build relationships because individuals depend on technology to keep them informed and connected to the world and their networks. Over time, technology has become more intuitive in its design. Haptic feedback and have high levels of visual and operational clarity foster a connection between the user and the device, which eventually turn into a dependent relationship.

Moreover, we assume that technology can be more efficient. Wearable technology and functional fashion provides us with multiple administrations or enhance an experience, which causes us to raise our expectations and continually want a newer or more up-to-date model. In contrast, for centuries the various symbolic aspects of dress have enabled fashion to communicate a variety of messages about the clothes that are culturally motivated and assessed by the perceiver. This communicative quality of fashion is linked to the expressive and aesthetic needs of the consumer. Most often consumers look for garments that convey a particular message about themselves as well as their personal vision of beauty. Apparel designers have utilized elements such as line, form, color, texture, and pattern to create aesthetically appealing traditional and modern design. The technology exists in a realm packed with functional expectations and fashion exists in an inverted realm constantly responding to shifts in cultural standards of beauty and normality.

These standards only begin to function as fashion given a determined environment and recognition from those within it. When technology and fashion are combined into a single product such as wearable innovation, a new set of expectations is created. The criteria are no longer purely utilitarian or concerned with expressions of beauty. The new criteria should strive to link the richness of fashion’s stylish design culture with the functional capabilities of innovation by creating an amicable correspondence between fashion and technology.

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